I can see the Shilling­stone quar­ry from my kitchen win­dow and often paint­ed the view. I had nev­er explored the area up close until I began this project about ‘place’.

I was pass­ing the road by the quar­ry when a gate opened and I was kind­ly invit­ed in to view the old lime kilns first hand. I had­n’t known they exist­ed; I was fas­ci­nat­ed and it led me to research fur­ther the work­ings of these kilns, which were closed in 1920.

I had just been intro­duced to oil and cold wax paint­ing and found the process ide­al. This

enabled me to add lime­stone pow­der and char­coal, which gave me the feel­ing of being in this place.

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